“Finally, though, Apple released an updated version, and it addresses a little more than just the wireless card and I/O options. Redesigned from the ground up, it’s now much smaller and lighter, with a space-age cylindrical shape, an overhauled cooling system that’s half as loud and a spec sheet that includes standard dual GPUs, PCIe SSDs, 802.11ac WiFi, up to 64GB of RAM and the latest Intel Xeon processors, once again going up to 12 cores,” Wollman writes. “In short, these are specs that bring the Mac Pro into the modern age — and make it ready to handle the coming onslaught of 4K content.”
“It’s hard to say if the Mac Pro is pricey, per se, given that there’s nothing else quite like it. There are plenty of Windows-based workstations, certainly, but none are quite this small or quite this portable (many aren’t quite this quiet, either). And if you’re a creative professional already hooked into Mac-only apps like Final Cut Pro, this is really your only choice: The new Mac Pro is a serious improvement over the old model in every way,” Wollman writes. “So, while $2,999 (let alone $10,000) is indeed a big investment, it’s well worth it for people who live and die by their workstation, and for whom (rendering) time is money.”
Much more in the full review here.
The first 24 hours with Apple’s new Mac Pro and Final Cut Pro X 10.1 (with video) – December 20, 2013
T3 Mac Pro review: Unboxing, hands-on, and first impressions – December 20, 2013
Apple’s powerful new Mac Pro a good value; far from the most expensive high-end Mac or high-end PCs – December 20, 2013
CNET hands on: Apple’s radically reimagined Mac Pro is a powerhouse performer – December 20, 2013