EMI puts Abbey Road up for sale

“Abbey Road, the London recording studios immortalised by the Beatles album of the same name, has been put on the market by EMI as the music group looks to extricate itself from the debt burden of Terra Firma’s 2007 leveraged buy-out,” Andrew Edgecliffe-Johnson reports for The Financial Times.

“EMI would not comment but five people familiar with the situation told the Financial Times it had been courting bidders for the property in St John’s Wood. A sale could raise tens of millions of pounds,” Edgecliffe-Johnson reports. “It was not immediately clear whether EMI would sell the Abbey Road brand name along with the property, but one media lawyer said: ‘The brand is worth more than the building… anybody who wants the studios will want the brand.'”

Edgecliffe-Johnson reports, “EMI bought the house at number 3 Abbey Road for £100,000 in 1929 and transformed it into the world’s first custom-built recording studios.”

“The Beatles put the studios on the map, using it for 90 per cent of their recordings between 1962 and 1969 and naming their final album Abbey Road. EMI used the studios for last year’s release of remastered Beatles albums,” Edgecliffe-Johnson reports. “Pink Floyd recorded Dark Side of the Moon at the studios, which have also been used by Radiohead, the Manic Street Preachers, Travis and Blur.”

Full article here.

MacDailyNews Take: Perhaps if they had worked harder to bring The Beatles to iTunes Store in a timely manner, EMI wouldn’t have been forced into trying to unload Abbey Road today.

30 Comments

  1. @Macanatic: Well said. I’m surprised we didn’t hear any of the usual blather about music cartels and “albums as artificial construct.”

    FTA: “However, the studios have faced cheaper competition from recording facilities in other countries, and technological advances allowing artists to record using only a laptop computer have made it harder for labels to justify owning expensive recording infrastructure.”

    Which underlines precisely what so much music is lacking nowadays: top-notch engineering and a fabulous acoustic space like Abbey Road Studio Two; no DAW or plugin has yet to replicate those qualities.

  2. Well…it’s NOT Apple or Mac news clearly (but since when has that mattered on this site?)
    But rather obviously the site should be purchased, retrofitted and turned into a tourist attraction, a recording studio museum if you will for fans of the Beatles, Pink Floyd and many others. It would make money for a long time to come.
    EMI needs a lot of cash soon. Hence this development.

  3. EMI didn’t exist in 1929, so I imagine it was bought by HMV (The Gramophone Co) to replace their studios in Hayes. Future partners Columbia had studios in Petty France at that time; and Parlophone’s were in an old church building in St Johns Wood. They all combined forces in 1931 to avoid going bust, like most of the other record labels did around that time! Poor old Edison-Bell, Piccadiily, Broadcast, Sterno, Dominion, World Echo, Panachord and even British Brunswick went bust.

  4. Not Apple news, but glad I saw this. Love the Beatles. Got into the reissues. The Beatles’ camp (Apple Corp. not Apple) missed an opportunity not going onto iTunes. It doesn’t really matter to Apple at this point.

    An Apple store in its place would be interesting irony. Record stores have closed, now the old guard recording studios.

  5. “..An Apple store in its place would be interesting irony..”

    Abbey Road is out in a residential area (St John’s Wood) miles from central London. Next to no-one would trek out there to an Apple Store. That’s be daft. ..Like putting an Apple Store out at Uluru/Ayers Rock, just in case some tourists turned up. Take a look on Google Maps..

  6. I got no major beef against EMI. They stuck by Apple the most, especially as a lone support for a bit during the difficult period when Apple needed credible labels for the iTunes plus model. EMI’s stance helped force the others to ditch DRM and Amazon exclusivity to a decent degree.

  7. They need to sell it to get out of a mountain of debt, not because nobody’s using it. It’s still an active world-class recording studio, the likes of which will always have their place, but operating one is kind of a break-even proposition. It’s dead weight to them.

  8. I love this show … check it out

    Live from Abbey Road is a 12-part, one-hour performance series/documentary that began filming its first season during 2006 at Abbey Road Studios in London. Season 2 was filmed between 2007 and 2008 and season 3 is currently in production due for airing in November. The series features a total of 72 musical artists to date (about 36 per Season) — usually 3 per show, performing up to 3 songs per session.

    Live from Abbey Road Wiki

    Live from Abbey Road Website

    Live from Abbey Road can be found on the
    Sundance Channel America

    Series 1
    1 John Mayer, Richard Ashcroft and Norah Jones
    2 Snow Patrol, Madeleine Peyroux and Red Hot Chili Peppers
    3 Ray LaMontagne, The Zutons, Shawn Colvin and Nerina Pallot
    4 Gipsy Kings, Natasha Bedingfield and Iron Maiden
    5 Amos Lee, David Gilmour and Randy Crawford & Joe Sample
    6 Dr. John, LeAnn Rimes and Massive Attack
    7 Craig David, James Morrison and Dave Matthews
    8 Jamiroquai, Damien Rice and The Goo Goo Dolls
    9 The Kooks, Wynton Marsalis and Muse
    10 Kasabian, Josh Groban and The Good, the Bad & the Queen
    11 Paul Simon, Corinne Bailey Rae and Primal Scream
    12 The Feeling, Gnarls Barkley and The Killers

    Series 2
    1 Mary J. Blige, Dashboard Confessional and James Blunt
    2 Sheryl Crow, Hard-Fi and Diana Krall
    3 Stereophonics, Colbie Caillat and Joan Armatrading
    4 Panic at the Disco, David Gray and Suzanne Vega
    5 The Hoosiers, The Black Keys and Manu Chao
    6 Matchbox Twenty, The Script and Def Leppard
    7 Rascal Flatts, Kate Nash, Herbie Hancock
    8 The Kills, Sara Bareilles and The Fratellis
    9 The Subways, Gnarls Barkley and Herbie Hancock
    10 Elbow, MGMT and Alanis Morissette
    11 Justin Currie, Ben Harper and Bryan Adams
    12 Teddy Thompson, Martha Wainwright and Brian Wilson

    Series 3
    1 The Killers, Florence and the Machine and Chairlift
    2 Antony & the Johnsons, The Enemy, and Paloma Faith
    3 The Gossip, The Mars Volta and Friendly Fires
    4 Noisettes, Lyle Lovett and Doves
    5 Mika, La Roux and Bloc Party
    6 Fleet Foxes, PJ Harvey and John Parish and Manchester Orchestra
    7 Seal, Imelda May and Sugarland
    8 Counting Crows, Melody Gardot and Hockey
    9 Yusuf Islam, The Fray and White Lies
    10 Green Day, Bat For Lashes and Starsailor
    11 Michael Buble, Paolo Nutini, The Temper Trap and Little Boots
    12 A Tribute to the Beatles’ Abbey Road album

  9. It’s good to hear there is an effort to preserve Abbey Road. This really is the end of a long and honorable era of music to have EMI in rot mode to the point of selling what was essentially the jewel in their now tarnished crown.

    Abbey Road is a huge place with 3 audio studios, one of which holds an entire orchestra, kitchen, lunch room, cutting room, loads of tape storage…. I can’t imagine any other company buying it and repurposing it during the ongoing Bush Depression.

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