Apple releases MainStage 1.0.1

Apple Online StoreApple today released MainStage 1.0.1 which contains several updates.

MainStage 1.0.1:
• Improves stability
• Addresses minor usability issues
• Adds options for saving parameter values when switching patches

This software is recommended for all users of MainStage 1.0.

MainStage 1.0.1 is available via Software Update and also as a standalone installer.

More info and download link (19.7MB) here.

21 Comments

  1. From my understanding, it is a patch librarian that can be used to leverage software instruments that have been installed into Logic in a live performance environment.

    That makes it different and complementary to something like Unisyn, which acts a patch librarian for hardware instruments.

  2. Wow, Apple sure has done a bad job marketing Mainstage. It’s the first time MacDailyNews posts an article about an Apple software update and nobody knows what the hell it is, including me! ” width=”19″ height=”19″ alt=”wink” style=”border:0;” />

  3. Here you go:
    Guitarists and others with electric instruments play through amplifiers when performing live.

    For years, effects boxes like fuzztone, reverb, phase shift, chorus, delay and more were physical boxes that you connected, one after the other between your guitar and your amp so you could use those sounds when performing.

    Someone got the idea, while recording their guitar into Pro Tools, Logic, Performer, whatever – that they could take all the effects plugins (which are now software) on a channel strip in the recording software in their laptop ONSTAGE with them and plug that into their amp, and that they could have all the effects in the world at their fingertips (or what they could afford) with NONE of the hassle of a huge rack or pedal board.

    Also, in the old days, if a keyboardist wanted a lot of sounds at their disposal, it meant saving many patches in one instrument or carrying a lot of different instruments with them to the gig.

    MainStage is one of the first apps that hides the multi track recording environment. It takes you to just the patches and the effects in an interface with large graphics that works well on a darkened stage. You now have none of the pain of trying to see what effect you’ve dialed up on a screen with a million other little tiny channel strips across the screen.

    I have it, and I’ve played around with it- it seems to work great and be the perfect answer to a difficult problem.

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