“Kare, who is sixty-four, will be honored for her work on April 20th, by her fellow designers, with the prestigious AIGA medal,” Lange writes. “In 1982, she was a sculptor and sometime curator when her high-school friend Andy Hertzfeld asked her to create graphics for a new computer that he was working on in California. Kare brought a Grid notebook to her job interview at Apple Computer. On its pages, she had sketched, in pink marker, a series of icons to represent the commands that Hertzfeld’s software would execute. Each square represented a pixel. A pointing finger meant ‘Paste.’ A paintbrush symbolized ‘MacPaint.’ Scissors said ‘Cut.’ Kare told me about this origin moment: ‘As soon as I started work, Andy Hertzfeld wrote an icon editor and font editor so I could design images and letterforms using the Mac, not paper,’ she said. ‘But I loved the puzzle-like nature of working in sixteen-by-sixteen and thirty-two-by-thirty-twopixel icon grids, and the marriage of craft and metaphor.’””
“She also designed a number of the original Mac fonts, including Geneva, Chicago, and the picture-heavy Cairo, using only a nine-by-seven grid,” Lange writes. “Her notebooks are part of the permanent collections of the New York and San Francisco modern-art museums, and one was included in the recent London Design Museum exhibit ‘California: Designing Freedom.’
Much more in the full article here.
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