The woman who gave Apple’s Macintosh a smile

“Every fifteen minutes or so, as I wrote this story, I moved my cursor northward to click on the disk in the Microsoft Word toolbar that indicates ‘Save.’ This is a superstitious move, as my computer automatically saves my work every ten minutes. But I learned to use a computer in the era before AutoSave, in the dark ages when remembering to save to a disk often stood between you and term-paper disaster,” Alexandra Lange writes for The New Yorker. “The persistence of that disk icon into the age of flash drives and cloud storage is a sign of its power. A disk means ‘Save.’ Susan Kare designed a version of that disk, as part of the suite of icons that made the Macintosh revolutionary—a computer that you could communicate with in pictures.”

“Kare, who is sixty-four, will be honored for her work on April 20th, by her fellow designers, with the prestigious AIGA medal,” Lange writes. “In 1982, she was a sculptor and sometime curator when her high-school friend Andy Hertzfeld asked her to create graphics for a new computer that he was working on in California. Kare brought a Grid notebook to her job interview at Apple Computer. On its pages, she had sketched, in pink marker, a series of icons to represent the commands that Hertzfeld’s software would execute. Each square represented a pixel. A pointing finger meant ‘Paste.’ A paintbrush symbolized ‘MacPaint.’ Scissors said ‘Cut.’ Kare told me about this origin moment: ‘As soon as I started work, Andy Hertzfeld wrote an icon editor and font editor so I could design images and letterforms using the Mac, not paper,’ she said. ‘But I loved the puzzle-like nature of working in sixteen-by-sixteen and thirty-two-by-thirty-twopixel icon grids, and the marriage of craft and metaphor.’””

“She also designed a number of the original Mac fonts, including Geneva, Chicago, and the picture-heavy Cairo, using only a nine-by-seven grid,” Lange writes. “Her notebooks are part of the permanent collections of the New York and San Francisco modern-art museums, and one was included in the recent London Design Museum exhibit ‘California: Designing Freedom.’

Much more in the full article here.

MacDailyNews Take:
happy Mac icon

SEE ALSO:
Mac graphic designer Susan Kare offers hand-painted replicas Apple’s legendary pirate flag – November 24, 2014
Why Steve Jobs replaced the Mac’s  key with ⌘ – June 23, 2014
Apple alumni and how they went on to change the world – October 4, 2012

9 Comments

  1. Read this exact same story years ago. Maybe in the Bio? Anyhoo that version of the story went into a little more detail and in fact stated Steve Jobs as the interviewer, with all the others details about the grid etc. the same. It didn’t mention a pink marker though.

    Tech “journalism” strikes again?

  2. ““Every fifteen minutes or so, as I wrote this story, I moved my cursor northward to click on the disk in the Microsoft Word toolbar that indicates ‘Save.’”
    Why? Just use Command-Save, far faster, and you get to use the Swedish clover thing that Susan Kare co-opted to indicate “command”.

  3. Just looking at my copy of the Macintosh Human Interface Guidelines that I consult for web page design.

    Basic principles are timeless, not a popular idea in this hipster age, but I don’t don’t care. I have enough life experience to know what works and what doesn’t.

    Tim and Jony: read the damn thing and get every employee back on track. The iOS kiddies especially.

Reader Feedback

This site uses Akismet to reduce spam. Learn how your comment data is processed.